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If that’s the case, create new mono tracks in Cubase and source their inputs from the left or right VST Connect bus. The remote recording bus is always stereo, although this isn’t always what you’ll want – you may, for example, wish to record a single mic or two separate mono signals. When you initialise the system, a new VST Connect stereo input bus will be created, and a new stereo track named Performer Rec added to your project.
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Once logged in and linked with a collaborator, you’re ready to start recording. This app doesn’t allow recordings to be dubbed back to the studio though.
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There’s also a related iPhone app, Studio Pass, which allows iPhone-based collaborators to be sent mixes in real time from VST Connect Pro so that they can chip in with thoughts and opinions via the app’s live video and talkback links. Alongside effects, VST Connect allows for one VST instrument to be added to the setup – any instrument you choose must be installed on both the studio and the performer’s computers – and, once enabled, this allows MIDI data to be streamed and recorded across the remote connection too. By default, these effects are applied to the performer’s direct monitoring signal only but the producer can choose to assign them for recording too.
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VST Connect Performer also has a series of in-built effects – reverb, EQ and compressor – as well as four insert slots for additional VST processors, which will first need to be installed on the performer’s computer.
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Hopefully, this will leave the artist free to focus on their performance. Once everything is set up though, the producer will be able to remotely control the mix and monitoring settings via VST Connect Performer, as well as set up hardware settings such as input busses and buffer sizes. The I/O built in to most computers suffice as a last resort but ideally the performer will be using a recording-grade audio interface, with sufficient mics, preamps and input channels to connect all of the sources that are to be recorded. The desktop version of the app is free but the iOS version has a small cost (£4.99 at time of writing), presumably to cover the overheads involved in publishing via Apple’s App Store.Īlthough VST Connect Performer doesn’t require Cubase, Nuendo, or any other DAW to be present on the user’s system, it does require access to audio I/O of some sort. This standalone application for macOS, iOS and Windows acts as the performer’s link to your studio. It’s the third application though, VST Connect Performer, that is the most robust. SE can only record two channels simultaneously via the remote connection but its big brother VST Connect Pro (£128) provides a more complete suite of features, including up to 16 tracks of recording, encrypted transfer and support for operating via a LAN. There are three key VST Connect applications: VST Connect SE is built into both Cubase Pro and Nuendo, and provides the basic studio end of the link-up. If you squint, it’s almost the same as looking through the glass from between the control room and the live room.
![cubase 8 crashes when using slate digital vmr cubase 8 crashes when using slate digital vmr](https://dt7v1i9vyp3mf.cloudfront.net/styles/news_large/s3/imagelibrary/w/webpage-top-cell-fg-a-asHUNd2du_yL.GSTHLQKG25LQKNLpuTF.jpg)
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There’s also a live video link-up so that producers and performers can see each other in real time.
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The system allows up to 16 channels of audio to be captured and returned to your project, making it entirely possible to record full bands and multi-mic’d drum kits. It sends cue mixes to the collaborator for them to perform to, captures their playing and returns it to the correct point in your project’s timeline. VST Connect allows you to record a musician or any other collaborator in real time via the internet. But with musicians, producers and indeed everyone else locked down in their respective homes due to the COVID-19 crisis, it’s never seemed as relevant as it does right now. Steinberg’s VST Connect has been around in some form since 2012, debuting as a plug-in in Cubase 7.